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HBO’s The Wire: Great Writing, Amazing Character Development

Eli Malinsky (Centre for Social Innovation) and I had coffee recently. Before we got down to business, we started talking about our favourite television shows. We quickly found out that we both appreciate HBO’s the WireOmar is Eli’s favourite character. Freeman is mine.

Here is what I like about Freeman’s character: Episode after episode, you will see Freeman patiently peering under a magnifying glass with his wood working tools creating some little toy while waiting for the bad guys to make a call and activate the ‘wire tap’.

It was boring work. But it was critical to make the case.

His other colleagues were often out on the street, cracking heads and making arrests. Freeman was assigned to the tedious grunt work.

Freeman also spent a lot of time searching for patterns in loosely organized pieces of crime reports, maps, the banking statements of criminals, suspect photos and property development information.

In several episodes you would see him sitting there, silently, looking at the collage on the wall. He’d sit there, hour after hour, day after day waiting for the pattern to emerge. This method Freeman’s colleagues to no end: they wanted immediate results.

However after time, patterns would emerge. The gangsters operated more sophisticatedly than the police gave them credit for. Their techniques more thought out than police suspected. And unsuspecting accomplices were keeping their exploits hidden.

In our offices, we also like to look at a lot of seemingly random data, stats and stories. We, like Freeman, often post them on a board or wall or into a GChat. Often it is a bunch of random stuff about the nonprofit sector. Sometimes it’s simply “Hey have you seen this?”. In doing so, we see a few patterns emerge. We’ll be blogging about a few of these patterns in the next few weeks, but the one that is most promising is the open-data/open-architecture movement.

We think there is massive opportunities in our space. We’re also happy to see more buzz around Social Enterprise and will be connecting the docs on seemingly random stories that relate to both areas.

Feel free to share your observations with us; collecting information from all sources is the best way to solve a case.

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I Live Here: Lawrence Park Collegiate and Mia Kirshner

His students know him as Mr Laidlaw. I know him as Mike. Mike Laidlaw is a good friend from highschool. He’s always been passionate about theatre and the arts. Mike followed that passion through university, where he majored in drama, and is now the head of the Drama Department of Lawrence Park Collegiate in North Toronto.

Under Mike’s supervision, over three dozen students put together a talent show in support of Mia Kirshner’s charity ‘I Live Here‘.

Two acts. Two dozen performances. In between each performance the house band Hard Fix kept the crowd entertained.

With over a dozen plays under his belt, Mike is one of the many teachers in the GTA helping kids first find, then fine tune, their inner-actors. One of the musical acts that evening was Lawrence Park alum Perion Ross, who has produced three albums.

Now back to Mike. I am really proud of him. He works off a shoe string budget, in a seriously worn out theater. The paint is chipping off the ceiling, stage and lighting equipment is twice the age of the students.

He has grown the interest in drama, theatre and the arts program from just a couple students when he took the helm of the program, to over 70+ kids who auditioned last year.

Toronto is in the middle of its modern arts renaissance. With massive arts events like Luminato and Nuite Blanche, or programming via Soul Pepper Theatre and Distillery District, or capacity builders like ArtScape, good things are happening in Hogtown.

In less than a week, we will begin ticket sales for the 7th Toronto Timeraiser at the Distillery District. Stay tuned.

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Loving London’s Downtown Revitalization

London Community Foundation

London Community Foundation

I’ve just spent the past two days in London, ON meeting with many of our Timeraiser partners. Most are located in downtown London. 

The conversations have been great. More on that in a moment. What struck me as really exciting is the downtown’s revitalization, led by the transformation of Galleria Mall, now called the Citi Plaza Centre.

Originally built like so many mega-malls for downtown centres, the Galleria Mall tenants slowly vacated the building as London quickly fell victim to suburbanization. For many years, the Galleria Mall stood mainly empty.

Then civic leaders began to revision how that space could serve London. The London Library moved in to where the HBC used to be. Fanshawe College and The University of Western Ontario’s Continuing Studies opened satellite offices. The YMCA offers its popular LINC program offers free daily English classes for new comers to Canada.

London Pillar Network

London Pillar Network

Pillar Nonprofit and London Arts Council are within and adjacent to, respectively, the Public Library. 

In the Library, the Government of Ontario has a job search centre. Nearly all the computers were filled as users sifted through recent postings.

London Public Library

London Public Library

The Little Red Roster Coffee, adjacent to the Library and across from the London Arts Council, was buzzing with people.

Only a few blocks away, the London Community Foundation office is located on the second floor of the Market. Roxanne of the LCF and I had a great chat about the Engage program and Vital Signs. 

My final meeting of the trip was with the event planning team of the London Timeraiser. We did our final site tours of two venues so we can firm up details for the Timeraiser. One of the team members of the event planning committee is Jason Hastings from United Way of London and Middlesex. Jason and I had a great chat about civic engagement in the Maple City.  Jason also works with the new initiative, GenNext.  After their launch event last year, the volunteer group has taken on Timeraiser as a project.  It’s exciting to see so many 20-30 somethings collaborating to give back to the community and become the next generation of community leaders.

While London is undergoing significant economic woes, its civic leaders and NGO community are really doing some impressive stuff.  

Thanks for having us London.

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The Open Web, led by email and blogs

After reading Qasim Virjee’s post The State of the Web and Why we love Posterous, I am reminded of why I love technology.  It’s a great read.

I can trace my love of the social web to before FacebookMSN Messenger or ICQ. I’m sure it was Apple’s eWorld that sold me on the idea of using computers to communicate and connect with others. Even in my first experiences with a social computing environment, it was email (of all things) that sparked my interest. Oh, that little red mail truck, a new message, how marvelous. eWorld was a new, virtual world that connected bulletin boards and email before the “web” was really anything. It was a portal environment that looked and felt like a small city - a community-. Yea, I was very hooked.

Flashing forward to today, there are endless opportunities to participate in the social web. But, as Qasim points out, these profiles – YouTube, Twitter, Facebook, MySpace, can be “Closed-door or otherwise inaccessible conversations”. It’s interesting that the more we think that we are “present” by producing content for all these social networks, the more we have to recognize and look for the connections between the tools – ensuring that messages reach all our audiences, that some profiles or tools don’t get left behind. It can be a real challenge for Social Media, particularly in a professional setting.

A fascinating element of Qasim’s blog post is his identification of email and blogging as the future. Email, in particular, is a tool some say are becoming archaic (though others argue the contrary). Yet here is this new tool, Posterous, that allows you to post to your blog by emailing Posterous.com. Even more so, you can auto and & cross post across your other profiles, keeping information consistent. Qasim writes, “The implications of using email to feed a Posterous blog and, by-extension, one’s other online accounts, are tremendous”. It is easier than ever to create and distribute content to your social networks, and open the conversation cross-platform. Using email.

Interestingly, he points out that with the rise of the mobile smart phones and the inevitable mobile OS wars, “the vast majority of mobile devices [...] all offer email”. Email. The “aging” communication tool. Or is it? Maybe email is a good example of an evolving, agile technology that moves us forward. Certainly Posterous is offering a new way to connect/blog cross-platform.

Qasim clearly outlines why Posterous is helping the web to be more open, and I am on board. A tool that encourages ease of connecting, cross-platform publishing, and an open-architecture model aligns very closely with the movement we are building here at Framework.

In the very least, this is a tool we’ll keep our eye on here. We are always interested in new tools that can improve information-sharing and transparency for the sector. Posterous may be one new way to do it.

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1788. The Brutal Truth of the First Fleet by David Hill

Can’t believe my 4 week holiday is over. 

Time does fly when you are in Australia. I loved the trip. Can’t wait to go back.

When I vacation at a new place, I enjoy reading books that provide insight into geography, history, culture and politics. 

This trip was no exception. I read 5 books on Australia. Bill Bryson’s Down Under is hysterical.

However, the first book I tackled is a national best seller: 1788 The Brutal Truth of the First Fleet by David Hill.

The book is a real page-turner. Really. The story vividly describes the 11 ships carrying 1,500 people from England to Australia to establish the first penal colony.  Half of the people convicted of petty crimes. Mostly men. However, the fleet did include a small percentage of women and children. As you can imagine, traveling by sail boat in the 18th century was a slow-going and harrowing affair. Many people died enroute. 

The first four years was particularly harsh. Crops failed. Convicts mutinied. Supplies dwindled. The part of the story I found most interesting was the first encounters the Brits had with the Aboriginals. As most people know today, a relationship not characterized as a good one. 

The history came to life when I took the Wadejmup Aboriginal Bus Tour on Rottnest Island, 19 kms from Perth. Rottnest Island was established as a prison for specifically for Aboriginals and troublesome youth in the early 1800s. Thousands of Aboriginals were imprisoned, rounded up from all over Australia, until the prison closed in 1991. Several hundred died while in custody. 

Our tour guide Dr Noel Nannup, a well-respected aboriginal educator, gave us the grim recount of their treatment incarcerated on Rottnest. A good portion of their labour was quarrying stone blocks for the building of Fremantle prison. 

The history of Fremantle prison is also very chilling. This prison is where all the hardened criminals were housed. Murders. Rapists. Our tour guide gave us a chilling a day in the life of an inmate. Grim. Most of the inmates were Europeans. However, a few were aboriginals. 

Perks were few. Hardship was many. Decorating the yard and cells was one of the few comforts prisoners were granted.

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This painting is from an unknown Aboriginal inmate, preserved for museum visitors to better appreciate the lonely living conditions. Thematically, Australian Aboriginal artwork is very distinguishable. Many works either have lots of dots representing Australia’s nearly endless amount of sand. The technique is called sandpainting or landscape paintings that capture their dreaming stories. Beautiful stuff.

The minute I stepped on the plane back for Canada, I was immediately switched into work mode. When settled into seat 36B, I was catapulted into pre-Timeraiser mode. 

With a first-hand discovery of Australia’s indigenous peoples history eerily similar to Canada’s. 

As the plane was taking off the tarmac, it was clear to me that our work needs to support more Aboriginal artists. My colleagues and I have done considerable outreach in the past. But we can and will do better in the year to come. 

You will see more and more First Nations work at Timeraisers across Canada. By putting money into the hands into emerging Aboriginal artists, we hope they can establish their careers.        

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